During our trip to the Metropolitan Museum, many paintings in the European section captured my attention. One painting that captured my attention was "The Beheading of Saint John the Baptist" by Bernard van Orley. "The Beheading of Saint John the Baptist" is a representational oil painting, painted in 1514-15. In this remarkable oil painting, Orley objectively displays the beheading of Saint John the Baptist. The graphic scene displays a man with a long sword placing the severed head on a platter and presents it to a group of people. This outstanding work of art stood out to me with its bold use of contrasting primary colors such as red and blue, and its mellow use of light and dark brown tones. Orley uses the illusion of three-dimensional space to show an active town in the background and another dramatic scene taking place in another room.

Another painting that I was drawn towards during my visit to the Metropolitan Museum was "Salome with the Head of Saint John the Baptist", by Andrea Solario. "Salome with the Head of Saint John the Baptist" is a representational oil painting completed in 1507. The oil painting objectively displays a woman receiving the graphic severed head of Saint John the Baptist.
I was instantly captivated by the similarities displayed in "The Beheading of Saint John the Baptist", and "Salome with the Head of saint John the Baptist". Bernard van Orley and Andrea Solario both present their oil paintings on a wooden canvas making their work much sharper and fascinating. Another similarity is that they both convey the same event. Orley and Solario both display the severed head of Saint John the Baptist dripping blood in a graphic manner. There is also a resemblance between the two woman receiving the head on the platter. Both artist display bold primary colors contrasting each other, such as blue and red.
Despite the obvious similarities in these two oil paintings, they are also different in numerous ways. For instance, Solario only paints John the Baptist's head, the woman receiving it on the platter, and only the arm of the person placing the head on the platter, while Orley displays many full bodied people in the background. Also Solario used black negative space, giving subjective meaning to the oil painting. The black dark tone used as negative space represents a dark time where the graphic scene took place. Orley filled his background with many people subjectively showing both positive and negative emotion. Orley displays people weeping in another room, showing that they are disturbed and upset with the beheading. Lastly, Bernard van Orley's painting was completed 8 years before Andrea Solario's. It is apparent that Orley had a better recollection of the events that took place on that day. This has subjective meaning because Orley's painting displayed a much more precise and detailed scene than Solario's,